New Orleans' folk rock n roll band- Chris Acker & The Growing Boys, on tour. Plus, Minneapolis folk rock n roll musician- Jack Klatt.
Doors 6PM | Show 7PM
In a genre full of tall tales and marketable lies, New Orleans’ Chris Acker crafts candid songs – weaving his wit and woes into a body of work that exposes the stale plight of the American Songster to the honest, and sometimes hilarious, light of day.
In the tradition of Guthrie and Prine, Chris lends a quavering voice to the half-rotten romance of the unremarkable and unrefined. Regardless if you’re sitting by a backyard fire on a muggy Louisiana night or standing stage-side in some far flung town, when you hear Chris Acker playing, you’re hearing the end result of countless hours of observing the masters of the craft…and the end result of repeating their mistakes.
From the folk revival through the golden age of country music, deafened by punk shows and brass bands alike, Chris’s songwriting is a nod to the absurd yet muted brilliance that inhabits the molded corners of the bars he patrons and cratered street he treads, paired with a pained honesty that merits a long second look.
Acker released his fourth full-length album, Famous Lunch, on Gar Hole Records in October of 2024. Famous Lunch contains some of his best work yet: laid back, country-rockers like “Wouldn’t Do For You (Buddy)” and “Shit Surprise” (which Paste Magazine called a “song of the year contender” in 2024), a few raucous, bar-ready joints like “Don’t You Know (Who I Think I Am)” and “Bunn Machine”, and tender, folky triumphs like “Stubborn Eyes” and “Eyelash”, all showcasing Chris’ gift of building “vivid scenes at an impressively low word count” (No Depression).
Musical missionary, tireless troubadour, and producer Jack Klatt isn’t one to be easily categorized or relegated to a narrow niche. He comes across as a young man with a wizened and worldly perspective, an artist who possesses a timeless sensibility of both place and purpose. Yet, his artistic integrity extends to more than simply his songs. It embodies both execution and intent... the way he’s mastered his deft finger-picking technique and used that sturdy approach to bring his material an authenticity reminiscent of the most revered musicians and storytellers.
A product of the nation’s heartland, Klatt was born and bred in the twin cities. He dropped out of college before spending the next six years pursuing his wanderlust and hitchhiking across the country with nothing but a backpack and a Martin guitar. He eventually made his way overseas, where he slept under the stars, traded songs for spending money, and enjoyed a life typical of one who’s a drifter and bohemian. All the while, he made it his mission to proffer the songs of the American masters, from Woody Guthrie and Eddie Cochrane to Hank Williams and Marty Robbins. In the process, he found himself captivated by the full gamut of archetypical American music — a singular style that encompasses folk, blues, rock, rockabilly, R&B, and arcane country — and began to refashion it to suit his own style.
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